Review: Noah Baumbach’s ‘White Noise’ Gets Lost in Nostalgic Static
Seeing the American madscape clearly for the first time NETFLIX Ambitious and earnest but fitful and awkward, Noah Baumbach’s adaptation of Don DeLillo’s now classic 1985 novel, White Noise , has a conflict at its weird heart, and that conflict is between DeLillo and film. Arguably, but not really, no other living major American novelist has such a distinctive stylized voice in terms of dialogue and character — call it High Meta Ironic Alienation In-Joke Idiom. DeLillo’s people are always too smart for their own good, and talk to each other around craters of pain and emptiness in metaphor-rich rants — a kind of shared dialect of referential banter, in conversations we can feel they’ve had many times already, and now all that’s left is to hypercharge what’s said, spice it up with strained insights, reach for symbolic gestures, glibly punch for the obscure rather than submit to the mundane. It’s not realism, despite DeLillo’s intense devotion to addressing what...